Պատմության ֆակուլտետ
Faculty of History
Historians have been trained in YSU since the day of its foundation. :
>
Sara A. Nalbandyan

Candidate of History, Associate Professor | Chair of Culturology
Education
2008 – 2010 Master in Cinema, Television and Multimedia Production Department of Letters and Philosophy, University of Bologna, Italy
2000 – 2004 PhD, Department of Theatre and Cinema Studies, Institute of Arts, Armenian National Academy of Sciences, Armenia
1994 – 1999 Diploma in Russian Language and Literature, Yerevan State University, Armenia

Training
2013 Documentary Cinema in the Digital Century, CEU Summer University, Budapest, Hungary
2007 Distant Learning Technologies, Moscow State University, Moscow, Russia

Academic Degree
2004 Candidate of Arts, 17. 00.01 Specialized Council

Professional Experience
2019 to present Vice-rector, Yerevan State Institute of Theatre and Cinematography
2017 to present Associate Professor, Chair of Cuturology, Faculty of History, Yerevan State Univer-sity, Armenia
2011 to present Assistant Professor, Chair of Cuturology, Faculty of History, Yerevan State Univer-sity, Armenia
2003 Researcher, Department of Theatre and Cinema Studies, Institute of Arts, Armenian National Academy of Sciences, Armenia
2010 – 2011 Head of Literary Department, State Theatre “Hamazgayin”, Armenia
2001 – 2008 Lecturer, Russian – Armenian University, Armenia

Affiliation
2019 to present, Member or Editorial Board, “Kantegh” Journal on Social Sciences, Arts and Hu-manities, Armenian National Academy of Sciences, Armenia
2019 to present, Scientific Board Member, Yerevan State Institute of Theatre and Cinematography, Armenia
2019 to present, Arts Council, Russian Drama Theatre of Armenia after K. Stanislavski, Armenia
2016 to present, 17.00.01 Specialized Dissertation Council in Theatre, Cinema and Television Stud-ies, Armenian Higher Attestation Commission, Armenia
2010 to present, Board Member, National Theatre Art Association, Armenia
2004-2012, Board Member, Young Art Historians Council, Armenia

Activity
2016 Jury Member, “Apricot Tree” International Ethnographic Film Festival, Yerevan, Armenia
2012 Committee Member, Young Directors Support Project, Armenia
2012 Expert, Organizer, Italian Cinema Week in Armenia, Third Edition, Embassy of Italy in Yere-van, Armenia
2012 Committee Member, Young Directors Support Project, Armenia
2011 Expert, Organizer, Italian Cinema Week in Armenia, Second Edition, Embassy of Italy in Ye-revan, Armenia
2010 Artistic Coordinator, “Rehabilitation of the Present” Festival of Contemporary Drama
National Theatre Art Association, Armenia
2010 Expert, Organizer, Italian Cinema Week in Armenia, First Edition, Embassy of Italy in Yere-van, Armenia

Academic Interests
Stage Directing of the Early XX century; Documentary Cinema; Documentary Theatre; Experi-mental Cinema; Postmodern Culture; Visual Anthropology

Languages
Armenian, Russian, English, Italian, French

Awards
2010 – “Komos: Voci fuori dal coro”, Best Documentary, Libero Bizzari Foundation, San Benedetto del Tronto (AP), Italy

Ռուսական մշակույթը հին ժամանակներից մինչև մեր օրերը
2017 | Book
Ուս. ձեռնարկ: Մեկնարկ: 2017թ․, 97 էջ
К вопросу о соотношении фактов и вымысла в документальной драматургии (на примере трибунальной драмы Перча Зейтунцяна "Встать, суд идет!")
2016 | Article
Հայոց ցեղասպանություն-100. ճանաչումից` հատուցում. միջազգային գիտաժողովի զեկուցումների ժողովածու, 2016, 576-581 էջ
|
Ռուսական մշակույթը հին դարերից մինչ մեր օրեր
2016 | Book
Ուս. ձեռնարկ: Մեկնարկ: 2016թ․, 28 էջ
|
The Eastern European Identity in Verbatim Theatre
2016 | Thesis
Re-Inventing Eastern Europe (The Fifth Edition). 2016, p. 7
|
Симуляция реальности в современном документальном театре
2016 | Article
Международный научно-исследовательский журнал. 2016, 6 (48), ч. 4, стр. 92-94
|
Документация армянского геноцида в трибунальной драме Перча Зейтунцяна "Встать, суд идет!"
2015 | Thesis
Геноцид армян-100. От признания до компенсации, 2015, 304-306 стр.
|
Mutation of Fact in New Media
2015 | Thesis
The Real and The Intermedial. XVI Internation Film and Media Studies Conference, 2015, p. 40-41
|